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![]() ![]() (For info on how to set up a Windows PC as a PS3 media server, follow this link. But you can use the Photo, Music and Video menus to access content stored either on the PS3, an external storage device like a USB Flash drive, or a media server such as your PC. There are some things you can’t do via Remote Play, like play a PS3 game or watch a DVD or Blu-Ray movie. Using Remote PlayĪ few seconds after you select the PlayStation 3 connection, you’ll be greeted by the PS3’s XMB interface and able to control the console as if you were sitting in front of it with a PS3 game controller. In this case, however, PSP’s distance from the PS3, not your Wi-Fi router, will govern the strength of your wireless connection. When you put the PS3 into Remote Play mode, it sets itself up as an access point and broadcasts its own WPA-encrypted Wi-Fi connection (the SSID will be PS3 followed by a bunch of numbers.) Setting up a second wireless network may seem superfluous when one is already available, but there is at least one benefit to this setup - since the PSP supports only 802.11b, by connecting directly to the PS3, you avoid having to run your wireless network in backward-compatible b/g mode to establish the link. ![]() Choose PlayStation 3 instead because with Remote Play the PS3 and PSP establish a direct wireless connection rather than doing it indirectly through an existing network. Next, you’ll be prompted to select a connection, and you’ll probably see your own Wireless LAN as one of the options, but that’s not the one you want. Choose the latter, and then select OK to dismiss the informational screen. You’ll be asked whether you want to connect via the Internet or a private network. Then, go to the PSP’s Network menu and choose the Remote Play option. From there, select the Remote Play option and you’ll see a text screen indicating the PS3 is ready to be accessed remotely.ĭisconnect the PSP from the PS3 if you haven’t already done so, and cancel USB mode by pressing the circle button. When the PS3 displays the “Register completed” message, select OK and head over to the Network menu. ![]() Then navigate to the Settings menu on the PSP, select USB Connection, and verify that the PSP display reads “USB Mode.” Now access the settings menu on the PS3, select the Remote Play Settings option and choose Register Device. Power up your PS3 and connect the PSP to it using a USB cable. The first step to using Remote Play is to register your PSP with the PS3. At the very least, they should be no older than 2.10 for the former and 3.80 for the latter. Setupīefore setting up Remote Play, you’ll want to make sure both your PS3 and your PSP are running the most recent versions of their respective system software. If your PS3 is connected to your home network, Remote Play lets you use a PSP to access your PS3 and its multimedia content from another room in your house or even while away from home. Getting the PS3 reminded me of the Sony PSP I received last year as a gift - it has sat mostly idle aside from the few times I used it to watch recorded TV downloaded from my TiVo since I’m not much into gaming on the go.īoth devices have built-in networking capabilities, and after some time spent experimenting with them I discovered a feature called Remote Play. I recently picked up a Sony PlayStation 3, which in addition to being a great gaming system and Blu-Ray movie player, offers a way to access things like digital photos, video and music from your living room. ![]() ![]() The vampire howled in pain and sat back down on the treacle tart.Īlexia followed up her advantage with a vicious prod between the vampire's legs. The buckshot gave the brass parasol just enough heft to make a deliciously satisfying thunk. She whacked the vampire right on top of the head with it as he tried to extract himself from his newly intimate relations with the tea trolley. It was of a style entirely of her own devising: a black frilly confection with purple satin pansies sewn about, brass hardware, and buckshot in its silver tip. It was terribly tasteless for her to be carrying a parasol at an evening ball, but Miss Tarabotti rarely went anywhere without it. She was particularly fond of treacle tart and had been looking forward to consuming that precise plateful. Miss Tarabotti was most distressed by this. ![]() He landed right on top of a plate of treacle tart. He stumbled over the fallen tea trolley, lost his balance in a manner astonishingly graceless for a vampire, and fell to the floor. So Alexia, who abhorred violence, was forced to grab the miscreant by his nostrils, a delicate and therefore painful area, and shove him away. Who was not friendly with Lord Akeldama? But no vampire had ever actually attempted to feed on her before! She knew one or two by reputation, of course, and was friendly with Lord Akeldama. ![]() Miss Tarabotti had never actually had a vampire try to bite her. Clearly not the sharpest of prongs, he then darted forward from the neck like a serpent, diving in for another chomp. ![]() Physical contact broken, his fangs reappeared. He reared away from Alexia, knocking over a nearby tea trolley. The vampire recovered his equanimity quickly enough. Certainly, most daylight folk wouldn't peg her as anything less than a standard English prig, but had this man not even bothered to read the vampire's official abnormality roster for London and its greater environs? Miss Tarabotti was not in the least surprised soullessness always neutralized supernatural abilities. He was simply standing there, the faint sounds of a string quartet in the background as he foolishly fished about with his tongue for fangs unaccountably mislaid. However, the moment he touched Miss Tarabotti, he was suddenly no longer darkly doing anything at all. Yet he moved toward her, darkly shimmering out of the library shadows with feeding fangs ready. For Miss Alexia had been born without a soul, which, as any decent vampire of good blooding knew, made her a lady to avoid most assiduously. In this particular case, what he did not know could hurt him. For there she sat, without escort, in a low-necked ball gown. ![]() To put the pudding in the puff: she had retreated to the library, her favorite sanctuary in any house, only to happen upon an unexpected vampire.įor his part, the vampire seemed to feel that their encounter had improved his ball experience immeasurably. Private balls were never more than middling amusements for spinsters, and Miss Tarabotti was not the kind of spinster who could garner even that much pleasure from the event. Miss Alexia Tarabotti was not enjoying her evening. Soulless is the first book of the Parasol Protectorate series: a comedy of manners set in Victorian London, full of werewolves, vampires, dirigibles, and tea-drinking. Can she figure out what is actually happening to London’s high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart? With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette. Second, she’s a spinster whose father is both Italian and dead. Buffy meets Jane Austen in the first book of this wickedly funny NYT bestselling series about a young woman whose brush with the supernatural leads to a deadly investigation of London’s high society.Īlexia Tarabotti is laboring under a great many social tribulations. ![]() ![]() ![]() Instead, ragtime was performed by marching bands, banjoists, popular vocalists, and other unusual instruments such as accordion and xylophone. ![]() While the major labels did record and release piano solos during the pioneer era of the industry (1890s-1920s), they were comparatively rare and not usually ragtime numbers. Real Ragtime features 29 tracks recorded between 1898-1922, which show that people at home were not listening to piano ragtime as much as we might have thought! Wow! There are a lot of banjo numbers here! We’re offering something different: the actual ragtime disc records that common people were buying during the time of the genre’s heyday, spanning roughly 1893-1917. If you want to buy a collection of ragtime music these days, you’ll find contemporary pianists and combos performing lively interpretations of classic rags. Where are the pianos? Where is Scott Joplin? Also, notice that the new Real Ragtime now features the original version of “Dill Pickles Rag” by Chris Chapman from 1908 and a bonus track, “Sugar Plum,” by mandolin player Samuel Siegel, along with Roy Butin on harp-guitar. The sound of these 100-year old records is better than ever, and our understanding of the historical and musical significance of the songs is enhanced by added commentary from noted musician and scholar David Sager. This new edition features fully remastered tracks, expanded notes, and a bonus selection. A delightful recital, all told.Now available: the second edition of Archeophone’s first release, RealRagtime. ![]() Many of the other rags favor leisurely tempos, and Tony Caramia, who teaches at the Eastman School of Music, performs them with the proper gentle pace. The individual composers offer some unique touches, such as a jazzy virtuosity in Robert Frost's piece for the 1984 Olympics, or the dueling key signatures of Minnie-Rag by Sydney Hodgkinson. Most of the rest of the material here is really quite traditional. Some of these later-day ragsters add distinctly late-20th-century touches, including the playful dissonance of Bolcom, and especially, the Phillip Glass-style droning of the Minimalist Rag by Kevin Putz, which is barely recognizable as the same format that Joplin worked in. Joplin was fully aware of the theatrical possibilities of the format, and was not averse to adding a programmatic spin to some of his own pieces. Review: "These "new" rags are generally faithful to the spirit of the golden age of ragtime, as exemplified by Joplin. Various auditory repasts offer composers a choice of forms and influences from such divergent sources as jazz, non-Western music, romanticism, dodecaphony, minimalism, pop and rock, asceticism, cross-over, and spiritualism and all on the same menu! This variety serves both as a high-calorie, vibrant sign of our own creative times, and as a demanding burden placed upon American composers seeking, indeed groping for, their own unique voices: +Red or green peppers? Radish? How much onion? What kind of lettuce? How do I choose my OWN language that will allow me to speak what I need to say?' The works recorded on this disc present the distinct and often unusual offerings of a few leading, contemporary American +workers' in this sonic kitchen." The pianist for this disc, Tony Caramia, is associate professor of piano at the Eastman School of Music, where he is director of piano pedagogy studies and coordinator of the class piano program. The works represented in this Eastman American Music Series of new music recordings bear eloquent testimony to the effect this healthy and diverse musical diet has had on the work of American composers. In striking contrast to this earlier era, today's younger generation of composer benefits from exposure to what has been called a +veritable salad bowl of styles,' marked by an extremely wide range of character, aesthetics and musical cross-currents. Sydney Hodkinson, the producer for this series of Eastman recordings says: "From roughly the late 1930s through the early sixties, most serious American composers worked within one of two basic musical encampments, continuing and expanding upon traditions established by the 20th century giants Schoenberg and Stravinsky. Go Back > Something different for rag fans - new works in the classic traditions! While the music on this recording is not Scott Joplin, it most certainly does capture the flavor of old time rags. ![]() ![]() Colliers is a diversified commercial real estate services and investment. We would not be here without your genuine spirits and exceptional culture. 1 day ago &0183 &32 Editors note: This profile is part of CBJs special report on the Most Admired CEO Awards program for 2023. Thank you to our dedicated team in Charlotte for honoring us with this award. This award is especially honorable as the honorees are chosen based on a third-party survey that the team must provide feedback on. It’s a choice, but it’s because of the people that Optomi hires,” said Senior Account Executive Tyler Sheltra. ![]() We have wedding showers, we go to the beach together, we travel…we choose to spend time with one another. 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This list represents the best of the best in the Charlotte region that offer a remarkable culture, great benefits, and have engaged employees.Īlexandra Williams, a Senior Account Executive in Charlotte, spoke about the origins of the office opening and how leadership has really taken their passion for culture and ran with it. ![]() ![]() Rake and discard fallen leaves in the fall.Remove infected plant debris: Fungi can overwinter in contaminated plant debris, so remove all fallen leaves from infected plants as soon as possible.Purchase resistant varieties: Invest in fungus-resistant plant varieties to reduce the chances for black spot diseases.Here are a few tips to prevent black spot outbreaks. Nutrients offered via foliar application are often taken up even quicker than those put in the soil, so the foliar application can be great for swiftly addressing specific deficiencies. 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Having played with Linux, installing UBCD5 to flash drive strikes me as being something that is easy to do if one knows how to do it however, it appears to be difficult to do if one can only learn how to do it from just reading current forums post or Googling. However, I can’t install it to a flashdrive either.Ĭan someone please provide step-by step instructions for installing UBCD5 to a flashdrive? I couldn’t install UBCD 4.1 to a flashdrive, so I downloaded UBCD5 beta from the UBCD homepage as suggested by some post within this forum. ![]() ![]() ![]() They were able to schedule an appointment same day and the staff were wonderful especially Candace, she checked us in. My husband required a time sensitive CT scan. 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The studios’ trade association said Monday that the primary sticking points to a deal revolved around so-called mini-rooms - the guild is seeking a minimum number of scribes per writer room - and the duration of employment contracts. ![]() That’s because many of the payments writers have historically profited from on the back end - like syndication and international licensing - have been largely phased out by the onset of streaming. The union is seeking more compensation for writers up front. The WGA said “the companies’ behavior has created a gig economy inside a union workforce.” But writers say they’re making less than they used to while working under more strained conditions. Streaming has exploded the number of series and films that are annually made, meaning more jobs for writers. Writers say their pay isn’t keeping pace with inflation, TV writer rooms have shrunk too much and the old calculus for how residuals are paid out needs to be redrawn. The writers last month voted overwhelmingly to authorize a strike, with 98% of membership in support. The trade association said in a statement that it was prepared to improve its offer “but was unwilling to do so because of the magnitude of other proposals still on the table that the guild continues to insist upon.”Ī shutdown has been widely forecast for months. In the meantime, those with finished scripts are permitted to continue shooting. If a strike persisted through the summer, fall TV schedules could be upended. The strike’s impact on scripted series and films will take longer to notice. Playwright Tony Kushner (“The Fabelmans”) and “Dopesick” creator Danny Strong were among those demonstrating in New York on Tuesday. “Unions are the reason we have weekends, and by extension why we have TGI Fridays.” “This nation owes so much to unions,” Colbert said. But I also think that the writers’ demands are not unreasonable,” host Stephen Colbert said on Monday’s “Late Show.” “Everyone including myself hope both sides reach a deal. NBC’s “Saturday Night Live,” which had been scheduled to air a new episode Saturday, will also go dark and air reruns instead. NBC’s “The Tonight Show,” Comedy Central’s “Daily Show,” ABC’s Jimmy Kimmel Live,” CBS’s “The Late Show” and NBC’s “Late Night” all made plans for reruns through the week. Late-night television was the first to feel the fallout, just as it was during the 2007 writers strike that lasted for 100 days.Īll of the top late-night shows, which are staffed by writers that pen monologues and jokes for their hosts, immediately went dark. ![]() The labor dispute could have a cascading effect on TV and film productions depending on how long the strike lasts, and it comes as streaming services are under growing pressure from Wall Street to show profits. “There’s too much work and not enough pay,” said demonstrator Sean Crespo, a 46-year-old writer whose credits include the former TBS show “Full Frontal With Samantha Bee.” The union is seeking higher minimum pay, more writers per show and shorter exclusive contracts, among other demands - all conditions it says have been diminished in the content boom driven by streaming. Some 11,500 film and television writers represented by the union put down their pens and laptops after failing to reach a new contract with the trade association that represents Hollywood studios and production companies. “No contracts, no content!” sign-carrying members of the Writers Guild of America chanted outside the Manhattan building where NBCUniversal was touting its Peacock streaming service to advertisers. NEW YORK (AP) - The first Hollywood strike in 15 years began Tuesday as the economic pressures of the streaming era prompted unionized TV and film writers to picket for better pay outside major studios, a work stoppage that already is leading most late-night shows to air reruns. ![]() ![]() ![]() The book is available in both ePub and PDF format. 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